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UID:6956-1767225600-1780271999@laquila2026.it
SUMMARY:Architectures for entertainment and performance yesterday and today
DESCRIPTION:The project intends to focus attention on particular categories of buildings that characterize the cities of Abruzzo and Lazio: entertainment buildings. This particular category of buildings\, since ancient times\, seems to have had a special role in society\, manifesting a particular relationship between the population and central and local power. The project includes in-depth and performative activities in ancient and modern entertainment buildings scattered between the provinces of L’Aquila and Rieti (amphitheater of Amiternum\, amphitheater of Trebula Mutuesca\, Flavio Vespasiano theater in Rieti) with particular interest in ancient female cults attested mainly in Luco dei Marsi\, S. Anatolia di Borgorose\, S. Angelo di Civitella di Pescorocchiano\, S. Vittoria di Carsoli\, the so-called Baths of Cotilia in Cittaducale\, S. Vittoria in Monteleone Sabino\, Lucus Feroniae in Capena.
URL:https://laquila2026.it/en/evento/architectures-for-entertainment-and-performance-yesterday-and-today-2/
LOCATION:Flavio Vespasiano Theater\, 263 Giuseppe Garibaldi Street\, Rieti\, RI\, 02100\, Italy
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://laquila2026.it/wp-content/uploads/2025/12/teatro-flavio-vespasiano-rieti.jpg
ORGANIZER;CN="Municipality of Rieti":MAILTO:letizia.rosati@comune.rieti.it
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DTEND;TZID=Europe/Rome:20260406T000000
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CREATED:20260401T142104Z
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UID:6812-1764979200-1775433600@laquila2026.it
SUMMARY:Andrea Pazienza: The Mathematics of the Sign
DESCRIPTION:Edited by Giulia Ferracci and Oscar Glioti \nStarting December 6\, 2025\, an exhibition celebrating the artist and taking us to the heart of his creative process\, revealing how his style has transformed comics into a new art form. \nOn the 70th anniversary of Andrea Pazienza’s birth (1956–1988)\, the Museum is dedicating an exhibition project to this great author\, spanning Rome and L’Aquila. The exhibition in L’Aquila traces the formative years during which Pazienza developed his own artistic language—a personal vocabulary born of continuous experimentation. At the heart of the exhibition is the line\, understood not as a simple line but as the generative core of images\, visual rhythm\, and a narrative tool. A flexible graphic grammar that the artist breaks down and reassembles\, transforming the line into a living organism capable of expressing emotions and moods.    \nThe exhibition brings together over 300 works\, many of which have never been shown before: childhood drawings\, ink drawings\, watercolors\, and marker compositions. These works demonstrate his ability to blend precision and spontaneity\, control and momentum\, restraint and improvisation. It is a body of work where painting and comics coexist\, bridging tradition with the freshness of a contemporary and popular artistic language.   \nOrganized into chronological and thematic sections\, the exhibition traces the key stages of the artist’s creative journey\, offering the public a glimpse not only of his innovative energy but also of his deep connection to Abruzzo\, the region where he took his first steps as an artist. A special section is dedicated to Convergenze\, the Pescara art gallery that hosted Pazienza’s first solo exhibition in 1973—a landmark for many artists of that era.
URL:https://laquila2026.it/en/evento/andrea-pazienza-the-mathematics-of-the-sign/
LOCATION:Palazzo Ardinghelli – MAXXI L’Aquila\, 15 Piazza Santa Maria Paganica\, L'Aquila\, AQ\, 67100\, Italy
CATEGORIES:exhibition
ATTACH;FMTTYPE=image/jpeg:https://laquila2026.it/wp-content/uploads/2026/04/andrea-pazienza-maxxi-laquila.jpg
ORGANIZER;CN="MAXXI National Museum of 21st-Century Arts":MAILTO:maxxilaquila@fondazionemaxxi.it
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